Hazama conducting her ensemble, the Danish Radio Big Band
WHAT: MIHO HAZAMA Jazz Mass
WHERE: Saint Peter's Church
WHEN: June 26, 2019 at 6:00pm
Okay guys, real talk: we're over halfway through. I'm starting to feel the burnout. Not from going to concerts, but 50 reviews, it's a lot to write. So tonight, I'm gonna take it easy: get ready for my bullet-point review of Miho Hazama's Jazz Mass.
- how the whole thing felt relaxing, suave, and not intended to blow the roof off.
- how the Sanctus kept switching from 11/8 to 10/8 and then back again -- just as you got into the groove, the choir pulled the rug out from under you
- Miho Hazama's piano part. Half the time it was an exact doubling of the choir, but the other half of the time it was soloistic and full of flourish.
- the sermon, to be honest. You know I'm not man of religion, but their hearts, minds, and (most importantly) politics were in the right place.
I'm still thinking about...
- the tenors who traded four-bar solos. They were very consciously walking the thin line between being creative and offending the pious Wednesday churchgoers.
- the Kyrie, which lasted all of one or two minutes -- mostly homophonic, full of cool chords.
- the sanctuary at Saint Peter's. Like, what is that shape?
- they had advertised better! I only heard about it because a friend was singing, and there were maybe ten people there. I was the only one (other than members of the choir) who didn't take communion.
- I could hear the piece outside of a service. In the service, it was weird and clunky. Outside the service, it would have been a super cool 15 minutes of music.
- we were allowed to applaud. Church is weird.