WHO: Matthew Cramer, bass-baritone; Stephen Gamboa-Diaz, harpsichord; Michael Rigsby, viola da gamba
WHAT: Works by Dowland, Lambert, d'Ambruys, Purcell, and Bach
WHERE: Bethesda Lutheran Church, New Haven CT
WHEN: July 7, 2019 at 4:00pm
Concert #34: In Which I Immediately Review Someone Else I Know, Even Though I Just Said That It's A Bad Idea
I discovered this 4th-of-July weekend that New Haven is a ghost town in the summer. Some students stay behind for research; a moderate horde of high schoolers come for summer sessions. But when you walk around, the thing that strikes you is the quiet -- other than the cars, there's no student chatter around campus. It's part eerie and part relaxing.
I was only there for three days (I took a day go to visit my brother in Boston), but by the time my trip was ending it had been five days since I had seen a concert. Far too long, in my humble opinion.
Luckily, a couple of friends decided to beat the summer boredom (not the heat, mind you -- there is no air conditioning at Bethesda) with a half-hour concert of renaissance and baroque music. It was an intimate affair -- maybe twenty people in the audience, half of them wearing shorts and/or crocs (myself included).
I think Matt Cramer sang it in a better key, to be honest, but this is the best recording out there.
But the charm of this concert came not in the music-making, but in the purpose. This wasn't part of a summer concert series or anything like that. When I asked Stephen what compelled him to put on a concert like this, he shrugged and said, "I don't know, Matt was in town for a little while and it was time to do something other than sightread in our living room." And if that's not inspirational, I don't know what is.